ITALIAN TENOR ANGELO PINTUCCI (1880-1967) CDR

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ANGELO PINTUCCI (ROME, 1880 – MILAN, 1967)       He studied in Rome and made his debut in 1900 at the Politeama in Terni as Almaviva in ‘’Il Barbiere di Siviglia”. In 1903 he had in Rome a big success in performance of the Perosi’s oratorio ”Mose”. In 1904 he appeared at the Teatro…

Description

ANGELO PINTUCCI (ROME, 1880 – MILAN, 1967)

 

 

 

He studied in Rome and made his debut in 1900 at the Politeama in Terni as Almaviva in ‘’Il Barbiere di Siviglia”. In 1903 he had in Rome a big success in performance of the Perosi’s oratorio ”Mose”. In 1904 he appeared at the Teatro Costanzi, Rome, in the 1906-07 season  at the Teatro Arbeu of Mexico City, in 1909 at the  St. Petersburg Conservatory, at the Teatro Liceo, Barcelona, in 1910 at the Teatro Colon, Buenos Aires. Here in 1911 he sang in the premiære of Tchaikovsky’s ”Eugene Onegin” as Lenski. Pintucci also appeared as a guest at the Opera Theatres of Kiev, Rio de Janeiro and Sao Paulo. In 1919 he performed at the Teatro Colon, Buenos Aires in the premiere of the opera ”Petronio” of Gaito and in the premiere of Puccini’s ”Gianni Schicchi” as Rinuccio. In 1924 he sang at the Teatro Nacional of Havana (here he appeared as De Grieux in ”Manon” of Massenet and as Duke in ‘’Rigoletto’’). In 1927 he appeared at the Palais Mediterranee in Nice. In 1933 he sang in Rome, Eiar in ”Le Nozze Istriane” of Smareglia. His career came during of 1930s to the conclusion and he withdrew in 1933.

 

Chronology of some appearances

 

1900 Terni Politeama Barbiere di Siviglia (Almaviva)
1904 Rome Teatro Costanzi Manon Lescaut (De Grieux)
1907 Mexico City Teatro Arbeu Iris (Osaka)
1909 St. Petersburg Conservatory Faust (Faust)
1910 Buenos Aires Teatro Colñn Traviata (Alfredo)
1914 Havana Teatro Peyret  Boheme (Rodolfo)
1920 Lugano Teatro Apollo Tosca (Cavaradossi)
1923 Ravenna Teatro Mariani Werther (Werther)
1925 Milano Teatro Carcano Boheme (Rodolfo)
1927 Nice Palais Mediterranee Amore dei tre re (Avito)
1929 Lima Teatro Forero Mefistofele (Faust)
1932 Malta Teatro Reale Iris (Osaka)
1933 Torino Eiar Il Diavolo del Campanile (Tallio)

 

TRACKLIST

 

 

  1. Cavalleria Rusticana (Mascagni): Addio alla madre Odeon Fonotipia 37171
  2. Lohengrin (Wagner): Merce, merce Odeon Fonotipia 37292
  3. Carmen (Bizet): Il fior che avevi a me tu dato Edison B. 112
  4. Stabat Mater (Rossini): Cujus animam G minor Edison B. 100
  5. Boheme (Leoncavallo): Io non ha que un povera stanzetta Odeon 37310 xM 410
  6. Bohème (Puccini): Mimì è una civetta Pathé 10425
  7. Bohème (Puccini) Che gelida manina Pathé 10425
  8. Africana (Meyerbeer): O paradiso Pathé 10424
  9. Barbiere di Siviglia (Rossini) Che invenzione (w. Corradetti) G&T 54049   Con302
  10. Barbiere di Siviglia (Rossini) Pace e gioia (w. Corradetti) G&T 54050 Con303
  11. Barbiere di Siviglia (Rossini) Voi dovreste travestirvi… Numero quindici (w. Corradetti) Odeon Fonotipia 37175, 37176, Xm436, Xm435
  12. Cavalleria Rusticana (Mascagni) Mamma, quel vino è generoso Odeon Fonotipia 37171 Xm395
  13. Crispino e la Comare (Ricci): Bella siccome un angelo Odeon Fonotipia 37188 Xm408
  14. Don Pasquale (Donizetti): Com’è gentil Odeon Fonotipia 37187 Xm401
  15. Elisir d’amore (Donizetti): Una furtiva lagrima Odeon Fonotipia 37184   XM434
  16. Fra Diavolo (Auber): Agnese la zitella Odeon Fonotipia 37328   Xm437
  17. La Wally (Catalani): M’hai salvato Pathé 10426
  18. Loreley (Catalani): No, non sogno Pathé 10426
  19. Madama Butterfly (Puccini): Adio fiorito asil Pathé 10424
  20. Manon (Massenet): Il sogno Odeon Fonotipia 37319
  21. Mefistofele (Boito): Giunto sul passo estremo Odeon Fonotipia 37170 Xm392
  22. Pescatori di perle (Bizet): Della mia vita Odeon Fonotipia 37209
  23. Rigoletto (Verdi) Bella figlia dell’amore (w. Colombati, Casini & Corradetti) G&T 54004 438b
  24. Traviata (Verdi) Prendi, quest’è l’imagine (with Adami & Corradetti) G&T 54007 435b
  25. Werther (Massenet): Ah, non mi ridestar Odeon Fonotipia 37324 Xm409

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