Description
EMANUEL FEUERMANN (KOLOMYJA, GALICIA, AUSTRO-HUNGARIAN EMPIRE, NOVEMBER 22, 1902 – NEW YORK CITY, MAY 25, 1942)
Emanuel Feuermann was an internationally celebrated cellist in the first half of the 20th century. He was born in 1902 in Kolomyja, Galicia, Austro-Hungarian Empire (now Kolomyya, Ukraine) to Jewish parents. Both of his parents were amateur musicians. His father, who played the violin and cello, was his first teacher. His older brother Sigmund was also musically talented, and their little sister, Sophie (b. January 1908) was the piano prodigy in the family. Their father decided to move the family to Vienna in 1907 for Sigmund to start his professional career there. At the age of nine, Emanuel received lessons from Friedrich Buxbaum, principal cello of the Vienna Philharmonic, and then studied with Anton Walter at the Music Academy in Vienna. In February 1914, the eleven-year-old prodigy made his concert debut, playing Joseph Haydn’s Cello Concerto in D major with the Vienna Philharmonic under Felix Weingartner. In 1917, Feuermann went to Leipzig to study with legendary cellist Julius Klengel. In 1919 cellist Friedrich Wilhelm Ludwig Grützmacher (1866–1919), the nephew of Friedrich Wilhelm Grützmacher, died, and Klengel recommended Feuermann for Grützmacher’s position at the Gürzenich Conservatory in Cologne. He was also appointed principal cellist of the Gürzenich Orchestra, by its conductor (who was also the conservatory director), Hermann Abendroth. Feuermann became cellist of the Bram Elderling Quartet. At that time, he also joined a short-lived piano trio with his brother and pianist-conductor Bruno Walter. In 1929, Feuermann became professor at the Musikhochschule in Berlin and taught there for the next four years. The same year he purchased a cello made by David Tecchler in Rome in 1741. From 1932, he also owned an instrument made by Venetian master luthier Domenico Montagnana in 1735. He performed during this time with violinists Carl Flesch, Szymon Goldberg, Joseph Wolfsthal and composer Paul Hindemith, the latter playing viola in a string trio with Feuermann and Wolfsthal (later Goldberg; see below). He also performed with Jascha Heifetz, William Primrose and Arthur Rubinstein. On April 3, 1933, the newly installed Nazi regime dismissed him from his position at the Berlin Conservatory due to his Jewish origin. He moved to London along with Goldberg and Hindemith, where the trio recorded Beethoven’s early Serenade in D major for string trio, Op. 8, and a string trio by Hindemith, for Columbia Records. He toured Japan and the United States then returned to London, where he married Eva Reifenberg (a cousin of Katja Andy) in 1935, with whom he had a daughter, Monica. Following the premiere of Arnold Schoenberg’s Cello Concerto under Sir Thomas Beecham he lived for some time in Zürich, but happened to be in Vienna at the time of the 1938 Anschluss. Violinist Bronisław Huberman helped Feuermann and his family escape to British Palestine. From there they moved to the United States later that year. He taught privately, and at the Curtis Institute of Music in Philadelphia, until his death. During these years he collaborated with the pianist Vladimir Sokoloff. Among his notable pupils were Bernard Greenhouse, Suzette Forgues Halasz, Robert Lamarchina, Alan Shulman, David Soyer and August Wenzinger. In the United States, he made several celebrated chamber-music recordings with Heifetz, Rubinstein and others. His relationship with Hindemith suffered when the latter chose Gregor Piatigorsky to premiere his Cello Concerto. Feuermann died in New York City due to complications during surgery on May 25, 1942, at the age of 39.
TRACKLIST
Emanuel Feuermann, Beethoven, Reger, Myra Hess, Theo Van Der Pas – Sonata No. 3 In A Major, Op. 69 / Seven Variations In E-Flat / Suite In G Major For Unaccompanied ‘Cello, Op. 131c, No. 1
Label: Columbia – ML 4678
Series: Special Collectors Series
Format: Vinyl, LP, Album, Mono
Country: US
Released: Aug 1953
Genre: Classical
Style: Classical, Neo-Romantic
Sonata No. 3 In A Major, Op. 69
Composed By – Beethoven
Piano – Myra Hess
A1 First Movement: Allegro, Ma Non Tanto
A2 Second Movement: Scherzo (Allegro Molto)
A3 Third Movement: Adagio Cantabile; Allegro Vivace
B1 Seven Variations In E-Flat On “Bei Mannern, Welche Liebe Fühlen” From Mozart’s “The Magic Flute”
Composed By – Beethoven
Piano – Theo Van Der Pas
Suite In G Major For Unaccompanied ‘Cello, Op. 131c, No. 1
Composed By – Max Reger
B2 First Movement: Präludium (Vivace)
B3 Second Movement: Adagio
B4 Third Movement: Fugue (Allegro)
Cello – Emanuel Feuermann
Composed By – Ludwig van Beethoven (tracks: A1-A3, B1), Max Reger (tracks: B2-B4)
Piano – Myra Hess (tracks: A1-A3), Theo Van Der Pas (tracks: B1)
MONO LP made in the USA.
Blue record labels with silver lettering.
Matrix / Runout (Side A): XLP13613-1B
Matrix / Runout (Side B): XLP13614-1A
Haydn / Schubert – Emanuel Feuermann, Symphony Orchestra Conducted By Sir Malcolm Sargent / Gerald Moore – Concerto In D Major / Sonata In A Minor
Label: Columbia Masterworks – ML 4677
Series: Special Collectors Series
Format: Vinyl, LP, Album, Mono
Country: US
Released: 1953
Genre: Classical
Style: Classical, Romantic
Concerto In D Major For Cello And Orchestra
Composed By – Haydn
Conductor – Sir Malcolm Sargent
A1 First Movement: Allegro Moderato
A2 Second Movement: Adagio
A3 Third Movement: Allegro
Sonata In A Minor (“Arpeggione”)
Composed By – Schubert
Piano – Gerald Moore
B1 First Movement: Allegro Moderato
B2a Second Movement: Adagio
B2b Third Movement: Allegretto
Recorded At – EMI Studios
Cello – Emanuel Feuermann
Schubert Sonata recorded June 29, 1937 at EMI Studio No. 3, Abbey Road, London.
Haydn Concerto recorded in 1935; originally issued on 78-rpm album “Concerto In D Major For Cello And Orchestra.”
Matrix / Runout (Runout Stamped Side A): CXLP11116-1A
Matrix / Runout (Runout Stamped Side B): XLP13612-1A
Schubert, Beethoven, Emanuel Feuermann – ‘Arpeggione’ Sonata / Sonata No. 3, Op. 69
Label: His Master’s Voice – HQM 1079, His Master’s Voice – HQM.1079
Series: Great Instrumentalists – 4
Format: Vinyl, LP, Album, Mono
Country: UK
Released: 1967
Genre: Classical
A1 Sonata No. 3 in A Major for Cello and Piano Op. 69
Composed By – Beethoven
B1 Sonata in A minor for Cello and Piano D. 821 “Arpeggione”
Composed By – Schubert
B2 Andantino, from the Konzertstück in F minor Op. 79
Composed By – Weber
Recorded At – EMI Studios
Cello – Emanuel Feuermann
Piano – Gerald Moore (tracks: A1, B2), Myra Hess (tracks: B1)
Original UK 1967 First Pressing – Very Rare
Schubert: Sonata in A minor for Cello and Piano D. 821 “Arpeggione”
> rec. at EMI Studio No. 3, Abbey Road, London on 29 June 1937 with pianist Gerald Moore
Beethoven: Sonata No. 3 in A Major for Cello and Piano Op. 69
> rec. at EMI Studio No. 3, Abbey Road, London on 29 June 1937 with pianist Myra Hess
Weber: Andantino, from the Konzertstück in F minor Op. 79
> rec. at EMI Studio No. 3, Abbey Road, London on 29 June 1937 with pianist Gerald Moore
“As a cellist Feuermann was in a class by himself. His great flair for the cello was something innate – something that he had with him from the beginning” – Joseph Schuster
The performance and virtuosity displayed in these recordings is simply stunning.
Bloch, Emanuel Feuermann, Philadelphia Orchestra – Schelomo
Label: RCA Victor – LCT 14
Format: Vinyl, LP, 10″
Country: US
Genre: Classical
Schelomo
A Part 1
B Concluded
Cello – Emanuel Feuermann
Conductor – Leopold Stokowski
Orchestra – Philadelphia Orchestra
Mozart / Halvorsen / Handel – Heifetz, Primrose, Feuermann – Divertimento In E-Flat / Duo No. 2 In B-Flat / Passacaglia
Label: RCA Victor – LCT-1150, RCA Victor – LCT 1150
Series: The Connoisseur Catalog
Format: Vinyl, LP, Mono
Country: US
Released: 1953
Genre: Classical
Style: Classical
Divertimento In E-Flat, K. 563
Cello – Emanuel Feuermann
Composed By – Wolfgang Amadeus Mozart
Viola – William Primrose
Violin – Jascha Heifetz
A1 Allegro
A2 Adagio
A3 Minuetto: Allegro
A4 Andante
A5 Minuetto: Allegretto
B1 Rondo: Allegro
Duo No. 2, In B-Flat, K. 424
Composed By – Wolfgang Amadeus Mozart
Viola – William Primrose
Violin – Jascha Heifetz
B2 Adagio; Allegro
B3 Andante Cantabile
B4 Passacaglia (From Handel’s Harpsichord Suite No. 7, In G Minor)
Arranged By – Johan Halvorsen
Composed By – Georg Friedrich Händel
Viola – William Primrose
Violin – Jascha Heifetz
Copyright © – Radio Corporation Of America
Composed By – Wolfgang Amadeus Mozart (tracks: A1–B3)
Liner Notes – James Lyons
Red Seal Collectors
Recorded In 1941
Printed in U.S.A.
Dohnányi, Heifetz, Primrose, Feuermann, Gruenberg, Monteux, San Francisco Symphony Orchestra – Serenade In C / Violin Concerto
Label: RCA Victor – LVT-1017
Series: The Vault Treasures
Format: Vinyl, LP, Mono
Country: US
Released: 1956
Genre: Classical
Style: Modern
A Serenade In C Major For Violin, Viola, And Cello, Op. 10
Composed By – Ernst von Dohnányi
B Concerto for Violin and Orchestra, Op. 47
Composed By – Louis Gruenberg
Cello – Emanuel Feuermann (tracks: A)
Conductor – Pierre Monteux (tracks: B)
Orchestra – San Francisco Symphony Orchestra (tracks: B)
Viola – William Primrose (tracks: A)
Violin – Jascha Heifetz
Brahms – Jascha Heifetz, Emanuel Feuermann, The Philadelphia Orchestra, Eugene Ormandy – Double Concerto In A Minor
Label: RCA Victor Red Seal – DM 815
Series: Musical Masterpiece Series
Format: 4 x Shellac, 12″, 78 RPM, Album, Reissue
Country: US
Released: 1947
Genre: Classical
Style: Romantic
Double Concerto In A Minor
A First Movement-Allegro (Part 1)
B First Movement-Allegro (Part 2)
C First Movement-Allegro (Part 3)
D First Movement: Allegro (Concluded)
E Second Movement: Andante (Part 1)
F Second Movement: Andante (Concluded)
G Third Movement: Vivace Non Troppo (Part 1)
H Third Movement: Vivace Non Troppo (Concluded)
Record Company – RCA Victor Division Of Radio Corporation Of America
Pressed By – RCA Records Pressing Plant, Indianapolis
Recorded At – Academy Of Music, Philadelphia
Cello – Emanuel Feuermann
Composed By – Brahms
Conductor – Eugene Ormandy
Orchestra – The Philadelphia Orchestra
Violin – Jascha Heifetz
Reissue on RCA Victor label with no patent text in circles (1947 or later).
Auto-coupled (“drop-automatic”): sides A & H on record 1, B & G on record 2, etc.
Rings on label nearly touch RCA logo = Indianapolis pressing
Recorded December 21, 1939 at the Academy Of Music, Philadelphia.
Other (Catalog number, record 1 (sides A & H)): 18136
Other (Catalog number, record 2 (sides B & G)): 18137
Other (Catalog number, record 3 (sides C & F)): 18138
Other (Catalog number, record 4 (sides D & E)): 18139
Matrix / Runout (Label, side A): 045645
Matrix / Runout (Label, side B): 045646
Matrix / Runout (Label, side C): 045647
Matrix / Runout (Label, side D): 045648
Matrix / Runout (Label, side E): 045649
Matrix / Runout (Label, side F): 045650
Matrix / Runout (Label, side G): 045651
Matrix / Runout (Label, side H): 045652
Matrix / Runout (Runout, side A): 18132A 045645 IE✩ 7 2A
Matrix / Runout (Runout, side B): 18132B 045646 IE✩ 2 4R
Matrix / Runout (Runout, side C): 18133A IE 045647 3 2R
Matrix / Runout (Runout, side D): 18133B 045648 IE ✩ 1R
Matrix / Runout (Runout, side E): 18134A 045649 1C IE✩ 2
Matrix / Runout (Runout, side F): 18134B 045650 IE ✩ 4 2
Matrix / Runout (Runout, side G): 045651 5 18135A IE 2
Matrix / Runout (Runout, side H): 18135B C IE 045652 X5A 3
Rubinstein, Heifetz, Feuermann, Beethoven – Brahms / Schubert – Trios
Label: RCA Victor Red Seal – LM-7025
Format: 2 x Vinyl, LP, Mono, Shaded Dog Labels
Box Set, Compilation
Country: US
Released: Nov 1963
Genre: Classical
Style: Classical, Romantic
Trio In B Flat, Op. 97 (“Archduke”)
Composed By – Beethoven
A1 First Movement: Allegro Moderato
A2 Second Movement: Scherzo, Allegro
B1a Third Movement: Andante Cantabile, Ma Pero, Con Moto
B1b Fourth Movement: Allegro Moderato
Trio In B, Op. 8
Composed By – Brahms
C1 First Movement: Allegro Con Moto
C2 Second Movement: Allegro Molto
C3 Third Movement: Adagio Non Troppo
C4 Fourth Movement: Allegro Molto Agitato
Trio In B Flat, Op. 99
Composed By – Schubert
D1 First Movement: Allegro Moderato
D2 Second Movement: Andante Un Poco Mosso
D3 Third Movement: Scherzo, Allegro; Fourth Movement: Allegro Vivace
Pressed By – RCA Records Pressing Plant, Indianapolis
Cello – Emanuel Feuermann
Liner Notes – George Jellinek
Piano – Artur Rubinstein
Violin – Jascha Heifetz
Pressing Plant ID: I
Matrix / Runout (Side A Matrix): PRRM-4876
Matrix / Runout (Side B Matrix): PRRM-4877
Matrix / Runout (Side C Matrix): PRRM-4878
Matrix / Runout (Side D Matrix): PRRM-4879
Matrix / Runout (Side A Runout): PRRM-4876–4S I A1
Matrix / Runout (Side B Runout): PRRM-4877–1S I I
Matrix / Runout (Side C Runout): PRRM-4878–1S I A2
Matrix / Runout (Side D Runout): PRRM-4878–3S I
Richard Strauss – The Philadelphia Orchestra, Eugene Ormandy, Emanuel Feuermann, Alexander Hilsberg, Samuel Lifschey – Don Quixote, Op. 35
Label: Victor Red Seal – DM-720
Series: Musical Masterpiece Series
Format: 5 x Shellac, 12″, 78 RPM, Album
Country: US
Released: Jan 1941
Genre: Classical
Style: Romantic, Modern
Don Quixote, Op. 35 (38:20)
A Introduction (Part 1)
B1 Introduction (Concluded)
B2 Theme
C1 Variation I
C2 Variation II (Part 1)
D1 Variation II (Concluded)
D2 Variation III (Part 1)
E Variation III (Part 2)
F1 Variation III (Concluded)
F2 Variation IV
F3 Variation V (Part 1)
G1 Variation V (Concluded)
G2 Variation VI
G3 Variation VII
H1 Variation VIII
H2 Variation IX
H3 Variation X (Part 1)
I Variation X (Concluded)
J Finale – The Death Of Don Quixote
Record Company – RCA Manufacturing Co., Inc.
Pressed By – RCA Records Pressing Plant, Indianapolis
Recorded At – Academy Of Music, Philadelphia
Cello – Emanuel Feuermann
Composed By – Richard Strauss
Conductor – Eugene Ormandy
Orchestra – The Philadelphia Orchestra
Viola – Samuel Lifschey
Violin – Alexander Hilsberg
Auto-coupled release (“drop-automatic”).
Recorded February 24, 1940 at the Academy Of Music, Philadelphia.
Emanuel Feuermann – Violoncello Society Presents The Art Of Emanuel Feuermann
Label: Not On Label – CS-198
Format: Vinyl, LP, Album, Mono
Country: US
Genre: Classical
A1 Sonata No.2 In D, Op. 58
Composed By – Mendelssohn
A2 Bourrée Auvergnate
Composed By – Canteloube
A3 Aprés Un Réve
Composed By – Fauré, Casals
B1 Adagio – Allegro
Composed By – Handel
B2 Twelve Variations From Mozart’s “Die Zauberflote
Composed By – Beethoven
B3 Polonaise Brillante
Composed By – Chopin
B4 At The Fountain, Op. 20, No. 2
Composed By – Carl Davidoff






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