Description
BRONISLAW HUBERMAN (CZESTOCHOWA, POLAND, 19 DECEMBER, 1882 – CORSIER-SUR-VEVEY, SWITZERLAND, 16 JUNE, 1947)
Huberman was born in Częstochowa, Poland. In his youth he was a pupil of Mieczysław Michałowicz and Maurycy Rosen at the Warsaw Conservatory, and of Isidor Lotto in Paris. In 1892 he studied under Joseph Joachim in Berlin. Despite being only ten years old, he dazzled Joachim with performances of Louis Spohr, Henri Vieuxtemps, and the transcription of a Frédéric Chopin nocturne. However, the two did not get along well, and after Huberman’s fourteenth birthday he took no more lessons. In 1893 he toured the Netherlands and Belgium as a virtuoso performer. Around this time, the six-year-old Arthur Rubinstein attended one of Huberman’s concerts. Rubinstein’s parents invited Huberman back to their house and the two boys struck up what would become a lifetime friendship. In 1894 Adelina Patti invited Huberman to participate in her farewell gala in London, which he did, and in the following year he actually eclipsed her in appearances in Vienna. In 1896 he performed the violin concerto of Johannes Brahms in the presence of the composer, who was stunned by the quality of his playing. He married the German actress Elza Galafrés (also described as a singer and ballerina). They had a son, Johannes, but the marriage did not last. In the 1920s and early 1930s, Huberman toured around Europe and North America with the pianist Siegfried Schultze and performed on the most famous stages (Carnegie in New York, Scala in Milan, Musikverein in Vienna, Konzerthaus in Berlin….). Over the course of many years, the duet Huberman-Schultze were regularly invited in private by European Royal Families. Countless recordings of these artists were done during that period at the “Berliner Rundfunk” and were unfortunately destroyed during the Second World War. In 1937, a year before the Anschluss, Huberman left Vienna and took refuge in Switzerland. The following year, his career nearly ended as a result of an airplane accident in Sumatra in which his wrist and two fingers of his left hand were broken. After intensive and painful retraining he was able to resume performing. At the onset of the Second World War, Huberman was touring South Africa and was unable to return to his home in Switzerland until after the war. Shortly thereafter he fell ill from exhaustion and never regained his strength. He died in Corsier-sur-Vevey, Switzerland, on June 16, 1947, at age 64.
TRACKLIST
| 1 | 1899/?/? | Berliner | Chopin | Nocturne Es-dur,Op.9-2 (arr.Sarasate) | 1 | with piano accompaniment |
| 2 | 1899/?/? | Berliner | Schubert | Moment Musical f-moll,D780-3 (arr.Auer) | 1 | with piano accompaniment |
| 3 | 1921/10/18 | Brunswick | Chopin | Nocturne Es-dur,Op.9-2 (arr.Sarasate) | 2 | with Paul Frenkel (p) |
| 4 | 1921/10/18 | Brunswick | Elgar | La Capricieuse, Op.17 | 1 | with Paul Frenkel (p) |
| 5 | 1921/11/30 | Brunswick | JSBach | Air on the G-String (arr.Wilhelmj) | 1 | with Paul Frenkel (p) |
| 6 | January 28, 1922 | Brunswick | Tchaikovsky | Melodie Es-dur, Op.42-3 | 1 | with Paul Frenkel (p) |
| 7 | January 28, 1922 | Brunswick | Brahms | Hungarian Dance No.1 g-moll | 1 | with Paul Frenkel (p) |
| 8 | January 28, 1922 | Brunswick | Bazzini | Dance of the Goblins, Op.25 | with Paul Frenkel (p) | |
| 9 | January 31, 1922 | Brunswick | Wieniawski | Mazurka D-dur,Op.19-2″Dudziarz” | with Paul Frenkel (p) | |
| 10 | 1922/11/10 | Brunswick | Vieuxtemps | Ballade and Polonaise | with Paul Frenkel (p) | |
| 11 | 1922/11/23 | Brunswick | Bruch | Kol Nidre, Op.47 | 1 | with Paul Frenkel (p) |
| 12 | 1922/11/23 | Brunswick | Zarzycki | Mazurka in G | 1 | with Paul Frenkel (p) |
| 13 | January 1, 1923 | Brunswick | Tchaikovsky | Canzonetta from Concert for Violin D-dur,Op.35 | with Paul Frenkel (p) | |
| 14 | January 11, 1923 | Brunswick | Wieniawski | Capriccio Valse e moll, Op.7 | with Paul Frenkel (p) | |
| 15 | January 11, 1923 | Brunswick | Paganini | La Campanella form Concert for Violin No.2 h-moll,Op.7 | with Paul Frenkel (p) | |
| 16 | February 21, 1923 | Brunswick | Wieniawski | Romance from Concert for Violin d-moll,Op.22 | with Paul Frenkel (p) | |
| 17 | February 26, 1923 | Brunswick | Lalo | Andante and Ronde from Symphonie Espagnole D-dur,Op.21 | with Paul Frenkel (p) | |
| 18 | March 5, 1923 | Brunswick | Brahms | Hungarian Dance No.7 A-dur | with Paul Frenkel (p) | |
| 19 | March 5, 1923 | Brunswick | Gluck | Mélodie from”ORFEO ED EURIDICE” (arr.Wilhelmj) | with Paul Frenkel (p) | |
| 20 | 1924/?/? | Brunswick | Mendelssohn | Andante and Allegro molto vivace from Concert for Violin e-moll,Op.64 | with Paul Frenkel (p) | |
| twenty one | 1924/?/? | Brunswick | Sarasate | Romanza Andaluza, Op.22-1 | 1 | with Siegfried Schulze (p) |
| twenty two | 1924/?/? | Brunswick | Sarasate | Jota Navarra | with Siegfried Schulze (p) | |
| twenty three | 1925/?/? | Brunswick | Sarasate | “CARMEN” Fantasy, Op.25 | with Siegfried Schulze (p) | |
| twenty four | 1925/?/? | Brunswick | Beethoven | Sonata for Violon and Piano No.9 A-dur,0p.47″Kreutzer” | 1 | with Siegfried Schulze (p) |
| twenty five | 1928/12/28-30 | Columbia | Tchaikovsky | Concert for Violin D-dur,Op.35 | 1 | with Staatskapelle Berlin / Hans Wilhelm Steinberg (cond.) |
| 26 | 1929/?/? | Columbia | Tchaikovsky | Melodie Es-dur, Op.42-3 | 2 | with Siegfried Schulze (p) |
| 27 | 1929/?/? | Columbia | Chopin | Waltz cis-moll,Op.64-2 (arr.Huberman) | 1 | with Siegfried Schulze (p) |
| 28 | 1929/?/? | Columbia | Sarasate | Romanza Andaluza, Op.22-1 | 2 | with Siegfried Schulze (p) |
| 29 | 1929/?/? | Columbia | JSBach | Air on the G-String (arr.Wilhelmj) | 2 | with Siegfried Schulze (p) |
| 30 | 1929/?/? | Columbia | Zarzycki | Mazurka in G | 2 | with Siegfried Schulze (p) |
| 31 | 1929/?/? | Columbia | Brahms | Waltz As-dur,Op.39-15 (arr.Hochstein) | with Siegfried Schulze (p) | |
| 32 | September 11-12, 1930 | Columbia | Beethoven | Sonata for Violon and Piano No.9 A-dur,0p.47″Kreutzer” (2TAKE:1move) |
2 | with Ignaz Friedman (p) |
| 33 | 1930/?/? | Columbia | Bruch | Kol Nidre, Op.47 | 2 | with Siegfried Schulze (p) |
| 34 | 1930/?/? | Columbia | Schubert | Ave Maria, D.839 (arr. Wilhelmj) | with Siegfried Schulze (p) | |
| 35 | 1930/?/? | Columbia | Elgar | La Capricieuse, Op.17 | 2 | with Siegfried Schulze (p) |
| 36 | 1932/?/? | Columbia | Brahms | Hungarian Dance No.1 g-moll | 2 | with Siegfried Schulze (p) |
| 37 | 1933/?/? | Columbia | Chopin | Waltz cis-moll,Op.64-2 (arr.Huberman) | 2 | with Siegfried Schulze (p) |
| 38 | June 13, 1934 | Columbia | JSBach | Concert for Violin No.1 a-moll,BWV.1041 | with Wiener Philharmoniker / Issay Dobrowen (cond.) | |
| 39 | June 13, 1934 | Columbia | JSBach | Concert for Violin No.2 E-dur,BWV.1042 | with Wiener Philharmoniker / Issay Dobrowen (cond.) | |
| 40 | June 14, 1934 | Columbia | Mozart | Concert for Violin No.3 G-dur,K.216 | with Wiener Philharmoniker / Issay Dobrowen (cond.) | |
| 41 | June 16-17, 1934 | Columbia | Lalo | Symphonie Espagnole D-dur, Op.21 | with Wiener Philharmoniker / George Szell (cond.) | |
| 42 | June 18-20, 1934 | Columbia | Beethoven | Concert for Violin D-dur,Op.61 | 1 | with Wiener Philharmoniker / George Szell (cond.) |
| 43 | June 26, 1934 | Columbia | JSBach | Sarabande form Partita for Solo Violin No.1 h-moll,BWV.1002 | ||
| 44 | June 26, 1934 | Columbia | JSBach | Andante from Sonata for Solo Violin No.2 a-moll,BWV.1003 | ||
| 45 | May 2, 1935 | Columbia | Chopin | Nocturne Es-dur,Op.9-2 (arr.Sarasate) | 3 | with Siegfried Schulze (p) |
| 46 | May 2, 1935 | Columbia | Chopin | Waltz Ges-dur,Op.70-1 (arr.Huberman) | with Siegfried Schulze (p) | |
| 47 | May 2, 1935 | Columbia | Schubert | Moment Musical f-moll,D.780-3 (arr.Auer) | 2 | with Siegfried Schulze (p) |
| 48 | May 14, 1935 | Columbia | JSBach | Chorale Prelude”Nun komm, Der heiden heiland”BWV.659 (arr.Huberman) | 1 | with Siegfried Schulze (p) |
| 49 | April 19, 1936 | Sarasate | Romanza Andaluza, Op.22-1 | 3 | with Siegfried Schulze [possibly](p) | |
| 50 | 1942/10/18 | Live in New York | Smetana | From my Homeland | with Boris Roubakine (p) | |
| 51 | 1942/10/18 | JSBach | Chorale Prelude”Nun komm, Der heiden heiland”BWV.659 (arr.Huberman) | 2 | with Boris Roubakine (p)[final bars missing] | |
| 52 | December 6, 1942 | Live in New York | JSBach | Partita for Solo Violin No.2 d-moll,BWV.1004 | ||
| 53 | April 25, 1943 | Live in New York | Brahms | Sonata for Violin and Piano No.1 G-dur,Op.78 | with Boris Roubakine (p) | |
| 54 | 1943/7?/? | Live in New York | Sarasate | Romanza Andaluza Op. 22 No. 1 | with Boris Roubakine (p) | |
| 55 | January 16, 1944 | Live in New York | Schubert | Phantasia C-dur, D.934 | with Boris Roubakine (p) | |
| 56 | January 23, 1944 | Live in New York | Brahms | Concert for Violin D-dur,Op.77 | with the Philharmonic-Symphony Orchestra / Artur Rodzinski (cond.) | |
| 57 | December 17, 1944 | Live in New York | Beethoven | Concert for Violin D-dur,Op.61 | 2 | with The National Orchestral Association / Leon Barzin (cond.) |
| 58 | 1945/12/16? | Live in New York | Mozart | Concert for Violin No.4 D-dur,K.218 | with the Philharmonic-Symphony Orchestra / Bruno Walter (cond.) | |
| 59 | 1946/3/? | Live in Philadelphia | Tchaikovsky | Concert for Violin D-dur,Op.35 | 2 | with Philadelphia Orchestra / Eugene Ormandy (cond.) |






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