FRENCH SOPRANO LUCETTE KORSOFF (1876-1955) VOL. 1 CDR

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LUCETTE KORSOFF (GENOA, 1 FEBRUARY, 1876 – BRUSSELS, 14 FEBRUARY, 1955)         Lucette Korsoff, born in 1876 in Genoa, was the daughter of the legendary Russian baritone Bogomir Korsoff. She studied singing with Frédéric Boyer and Rosina Lambord in Paris and made her debut in Pergolesi’s La serva padrona in St. Petersburg…

Description

LUCETTE KORSOFF (GENOA, 1 FEBRUARY, 1876 – BRUSSELS, 14 FEBRUARY, 1955)

 

 

 

 

Lucette Korsoff, born in 1876 in Genoa, was the daughter of the legendary Russian baritone Bogomir Korsoff. She studied singing with Frédéric Boyer and Rosina Lambord in Paris and made her debut in Pergolesi’s La serva padrona in St. Petersburg in 1892.

In 1897 she appeared at the Opera Theatre of Liège. She then achieved significant success in Cairo and Alexandria in 1901 with Thoma’s Amleto. That same year, she made her debut at the Opera Theatre of Toulouse. From 1903 to 1906, she was a prominent figure at the Opéra-Comique in Paris, and later, from 1906 to 1908, at the Théâtre La Monnaie in Brussels.

In 1908, she returned to the Opéra-Comique in Paris, where she gained widespread acclaim for her performance as the Queen of the Night in Mozart’s Die Zauberflöte in 1909. Her career continued with appearances in Brussels during the 1910-1911 season, followed by a successful tour of the USA. She performed at the Opera Theatre of New Orleans in the 1911-1912 season and at the Opera Theatre of Boston from 1912 to 1913. Additionally, she gave several concerts in New York and appeared at the Court Opera of St. Petersburg.

Korsoff continued her studies with Teresa Arkel in Milan in 1913, and in 1914, she performed in London and several Italian theaters. She gave a guest performance at the Opera Theatre of Monte Carlo in 1918 and returned there in 1922 to perform in Massenet’s Amadis.

After retiring from the stage in 1922, Korsoff worked as a pedagogue in Paris, where one of her notable pupils was Gina Cigna. By 1936, she lived in Brussels, where she was largely forgotten. Korsoff was known for her warm, heartfelt timbre, wide range, and virtuosic coloratura technique, which combined to create performances that avoided routine and monotony.

 

TRACKLIST

 

 

Barbiere di Siviglia (Rossini) Air de Rosine C01047F 30047 Vocalion, Paris 1921

Barbiere di Siviglia (Rossini) Air de Rosine, pt 1, pt 2 33802, 33803, 16210u, 16211u Gramophone, Paris 1910-12-30

Barbiere di Siviglia (Rossini) Donc je suis celle qu’il aime (w. Vigneau) 034018 570i G&T, Paris 1907

Bohème (Puccini) D’un pas léger (Valse de Musette) X-83104, Zonophone Paris 1905

Caïd (Thomas) Ariette de Virginie 33846, 16887u Gramophone, Paris 1911-10-09

Caïd (Thomas) Grand air de Virginie, act 3, pt 1, pt 2 033129, 033130, 02109v, 02110v Gramophone, Paris 1911-10-09

Contes d’Hoffmann (Offenbach) Les oiseaux dans la charmille 33847 16904u Gramophone, Paris 1911-10-14

Diamants de la Couronne (Auber) Variations, pt 1, pt 2 33756, 33757, 15814u, 15815½u Gramophone, Paris 1910-05-23

Domino Noir (Auber) Ah quelle nuit… Flamme vengeresse 033136, 033137, 02106v, 02107v Gramophone, Paris 1911-10-07

Domino Noir (Auber) Flamme vengeresse 033137 02107v Gramophone, Paris 1911-10-07

Domino Noir (Auber) La belle Inès 33641 7387o G&T, Paris 1907

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