FRENCH TENOR DAVID DEVRIÈS (1882-1936) VOL. 5 CDR

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DAVID ETIENNE JOSEPH DEVRIÈS (BAGNERES-DE-LUCHON, FRANCE, 14 FEBRUARY, 1882 – NEUILLY-SUR-SEINE, FRANCE, 17 JULY, 1936)         He made his debut in 1904 at the Théâtre Montparnasse as Gérald in Lakmé, but the main part of his career was devoted to the Opéra-Comique, where he sang roles such as Almaviva, Don José, Armand in…

Description

DAVID ETIENNE JOSEPH DEVRIÈS (BAGNERES-DE-LUCHON, FRANCE, 14 FEBRUARY, 1882 – NEUILLY-SUR-SEINE, FRANCE, 17 JULY, 1936)

 

 

 

 

He made his debut in 1904 at the Théâtre Montparnasse as Gérald in Lakmé, but the main part of his career was devoted to the Opéra-Comique, where he sang roles such as Almaviva, Don José, Armand in Massenet’s Thérèse, Alfredo, Jean in Massenet’s Sapho, Clément in Messager’s La Basoche, Vincent in Mireille, Wilhelm in Mignon, Des Grieux, Werther, Julien, Pinkerton, Cavaradossi, and many others. In 1909, he took part in the revival of Boieldieu’s La Dame Blanche and remained a paradigmatic Georges Brown. That same year, he went to New York, invited by Oscar Hammerstein, to sing at the Manhattan Theatre, where he performed various roles, including Ange Pitou in Lecocq’s La Fille de Madame Angot and Sylvain in Maillart’s Les Dragons de Villars.

More importantly, during this time, he sang the role of Pelléas in Debussy’s masterwork for the first time in his career. Still in America, alongside Mary Garden, he performed as Araquil in La Navarraise and Alain in Grisélidis. Interestingly, Garden had taken over the title role in Massenet’s Le Jongleur de Notre-Dame, originally composed for a tenor. However, when she was traveling, Devries also sang this role, giving local audiences the opportunity to hear the part in both soprano and tenor versions.

Later, he sang Pelléas at Covent Garden and Nicias (from Thaïs) in Monte Carlo. In Nice, he created the role of Paco in the world premiere of Falla’s La Vida Breve. He also performed as a soloist in recitals and concerts, singing in St. Matthew Passion as well as in Berlioz’s La Damnation de Faust.

 

 

TRACKLIST

 

 

Sapho (Massenet) Qu’il est loin mon pays 171.034 XXP6488 Odeon, Paris 1927-05

Si tu m’aimais (Denza) 4472 Pathé, Paris 1907

Tannhäuser (Wagner) Choeur des pèlerins (w. Belhomme, Dangès & Nansen) 0775 Pathé, Paris 1910/1911

Tosca (Puccini) Le ciel luisait d’etoiles 188.774 Ki 3735 -1 Odeon, Paris 1930-10-27

Traviata (Verdi) Non, non, loin d’elle 0082 Pathé cylinders & discs, Paris 1904/1905

Un peu d’ tout (Bernon) (w. Belhomme, de Poumayrac & Dangès) 0847 Pathé, Paris 1910/1911

Werther (Massenet) Alors c’est bien ici… O Nature pleine de gràce 123.715 XXP 7132 Odeon, Paris 1930-10-20

Werther (Massenet) Pourquoi me reveiller 188.770 Ki 3717-3 Odeon, Paris 1930-10-20

Werther (Massenet) Pourquoi me réveiller 4588 Pathé, Paris 1907

Werther (Massenet) Un autre est son époux 4598 Pathé, Paris 1907

Werther (Massenet) Un autre est son epoux… J’aurais sur ma poitrine 188.770 Ki 3721 Odeon, Paris 1930-10-20

Zampa (Hérold) Prière (w. Belhomme, Dangès & Nansen) 0824 Pathé, Paris 1910/1911

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