Description

GEORGE LIPSCHULTZ (CHICAGO, 12 DECEMBER, 1893 – LOS ANGELES, 24 DECEMBER, 1932)

 

 

 

 

George Lipschultz is an American composer, violinist, conductor, and musical director known for his contributions to early sound films as a music director at Fox Film Corporation. Born on December 12, 1893, in Chicago, Illinois, he emerged as a violin prodigy in his youth and later worked as a recording artist, performing violin solos and contributing as a composer and songwriter on Columbia Records between 1925 and 1929. Transitioning to Hollywood with the advent of sound cinema, Lipschultz became a prominent figure in film music, serving as musical director and composer on numerous Fox productions during the early 1930s.

His credits include musical direction for films such as Women Everywhere (1930), On the Level (1930), Born Reckless (1930), and Me and My Gal (1932), reflecting his role in shaping orchestral accompaniment and scoring during the industry’s shift from silent to talking pictures. Lipschultz’s work bridged his earlier classical and recording experience with the demands of motion picture synchronization, though his career was cut short by his sudden death on December 24, 1932, in Los Angeles, California, at the age of 39 following a brief illness. He was survived by his wife, Joan Marie Schirmer, whom he married in 1920, along with his mother, three sisters, and two brothers.

George Milton Lipschultz was born on December 12, 1893, in Chicago, Cook County, Illinois. He was a native of Chicago and became a violin prodigy at an early age. Limited public records provide no further details on additional family members or early household circumstances.

George Lipschultz established himself in Chicago as a violinist, composer, and songwriter during the 1920s. His recordings for Columbia Records spanned from 1925 to 1929, showcasing his versatility across performance and creation.

As a violinist, he recorded multiple solo pieces accompanied by piano, drawing from popular and light classical repertoire. Representative examples include “At dawning” and “Serenade,” both captured in February 1927, as well as “Estrellita” and “La golondrina” in January 1929. He also contributed violin obbligatos to several vocal recordings, such as those by Elmer Herling in October 1927.

In his compositional work, Lipschultz authored “Drifting ‘neath the silver moon,” which was recorded as a violin solo in September 1925. As a songwriter, he received credits for “When all the world is fast asleep,” recorded in February 1927, and “Just before you broke my heart,” recorded in May 1927.

These efforts reflect his active role in the Chicago music scene before his later transition to film scoring in Hollywood.

George Lipschultz relocated to Los Angeles in the late 1920s amid the film industry’s shift to synchronized sound, which dramatically increased demand for skilled composers, arrangers, and music directors capable of handling scores for talkies. His background as a violinist and conductor in theater orchestras, beginning in Chicago and extending to positions such as musical director at Loew’s Warfield Theatre in San Francisco and the Fifth Avenue Theatre in Seattle, positioned him well for this emerging field.

By 1929, Lipschultz had joined the Fox Film Corporation as musical director, an influential role at a studio pioneering sound-on-film technology through its Movietone system. In July of that year, he invited composer Hugo Friedhofer—another musician with San Francisco ties—to join the Fox music department, reflecting his established authority and network within the Hollywood transition. This move exemplified the broader influx of experienced theater musicians to the West Coast, as silent film accompaniment gave way to integrated soundtracks requiring both creative composition and precise synchronization.

Lipschultz’s association with Fox Film Corporation became his primary professional affiliation in Hollywood, where he contributed to the early sound era’s musical landscape until his death in 1932.

George Lipschultz worked primarily as a composer and musical director in Hollywood during the early sound film era. He was credited in these roles on multiple productions, contributing original music, additional music, and overseeing musical direction for films.

His film career was concentrated between 1930 and 1932, with the majority of his work at the Fox Film Corporation. As musical director, he handled scoring and the overall musical supervision required for the synchronization of music with dialogue and visuals in the studio’s early talkies. He also received credits as composer for original and supplementary scores during this period.

Lipschultz’s prior experience as a violinist in Chicago supported his transition into these film music positions, where he applied his instrumental background to the new demands of sound cinema. [

George Lipschultz contributed to several early sound films as a composer and music director, primarily for Fox Film Corporation productions in the early 1930s. His work coincided with the industry’s transition to talkies, where music played a vital role in supporting dialogue, setting mood, and enhancing dramatic impact.

He served as music director on films including Women Everywhere (1930), On the Level (1930), Me and My Gal (1932), and Mystery Ranch (1932), helping to shape orchestral accompaniment in Fox’s early sound features.

Lipschultz also provided original or additional music as composer for films such as Cameo Kirby (1930 incidental music), Born Reckless (1930), Business and Pleasure (1932), and Young America (1932 uncredited). He was particularly active in 1932, serving as musical director on numerous Fox productions during his final year.

These contributions reflect his consistent collaboration with Fox during this formative period for sound cinema, when synchronized music and scoring techniques were being refined.

George Lipschultz died on December 24, 1932, in Los Angeles, California, USA. He was 39 years old at the time.

Born on December 12, 1893, his death occurred twelve days after his birthday. He died following a brief illness. His passing marked an abrupt end to his brief Hollywood activities that year.

 

 

URIEL GOLDSTEIN

 

 

 

A graduate of the St. Petersburg Conservatory, he was a violinist, conductor, violin teacher, and director of the Chaliapin Studio. In the 1920s, he went on a concert tour to Harbin, from which he never returned to the USSR. Uriel was a concert violinist and conductor. He took a professorship in music during his studies at the University of Berlin. Uriel and his second wife, Vera Blufstein (nee Mandelstam), met while teaching at a conservatory together. They formed two-thirds of the Moscow Trio, along with a cellist named Millstein, before relocating to Harbin. Uriel’s first wife was an opera singer named Rosa Dunayevskaya. They had a son named Pavel together. Pavel was a journalist who spent 13 years imprisoned in Russia before emigrating to Israel.

 

 

BRONISLAW MITTMANN (REAL NAME: BRONISLAW MITMAN) (WARSAW, POLAND MAY 13, 1901 – IN LIMA, PERU, NOVEMBER 11, 1954)

 

 

 

 

Bronisław Mittmann was a Polish violinist and early radio musician, known for his work in Germany during the interwar period. He was the brother of the pianist Leopold Mittman.

Mittmann worked for Cologne Radio (WERAG/WORAG) from 1927 to 1933, where he served as a first concertmaster and played a key role in the station’s musical programming, contributing to the development of broadcast music in Germany. During this period, he also made recordings for the German label Homocord, which issued both classical and popular repertoire on 78 rpm records.

With the rise of the Nazi regime, Mittmann’s career in Germany was interrupted, and he became involved with cultural initiatives of the Jüdischer Kulturbund Rhein‑Ruhr before eventually leaving Europe. He spent his later years in South America, where he continued his musical activities until his death in Lima, Peru, on November 11, 1954.

Mittmann is remembered as a talented violinist who bridged live performance, recording, and early radio broadcasting, leaving a modest but historically significant legacy in European and South American music circles.

 

 

LEO STROCKOFF

 

 

 

Leo Strockoff was a Russian violinist from a family of musicians and a pupil of the legendary Belgian master Eugène Ysaÿe. Trained in the great Franco‑Belgian tradition, Strockoff developed a refined technique and a lyrical style that earned him recognition across Europe and the United States.

He performed widely, including London, where he appeared at a Special Sunday Concert at the Royal Albert Hall on 17 June 1917 alongside soprano Aileen D’Orme and pianist Carl Budden‑Morris. He also gave his American debut at Carnegie Hall on 26 March 1928, performing a program including Bach, Handel, Lalo (Symphonic Espagnole), Debussy (Fille aux Cheveux de Lin), and virtuosic works by Veracini, Tartini, Corelli, and Wieniawski. Critics praised his facile playing and lyrical tone, especially in sustained, expressive passages, though some noted occasional intonation or phrasing flaws.

Strockoff remained deeply connected to his teacher, Eugène Ysaÿe, whom he revered as “Master.” According to accounts from his final years, he often spoke of Ysaÿe and of certain music the Master had written that only he possessed, showing how much he valued that personal artistic link.

Tragically, Strockoff died impoverished in a darkly furnished room on the East Eighties, embittered by the fact that he never achieved the great fame he had hoped for. Though he had been a talented and accomplished violinist, his later life was marked by hardship and disappointment, leaving a legacy of skill, devotion, and unfulfilled potential.

 

 

TRACKLIST

 

 

1. George Lipschultz At dawning (Cadman) Clyde Lehman (piano) Columbia 904-D W143406
2. George Lipschultz Estrelita (Ponce – Ludlow) Columbia 1795-D W 147830
3. George Lipschultz La Colondrina (Serradell) Columbia W 147831 1795-D
4. George Lipschultz Serenade (Toselli) Clyde Lehman (piano) Columbia 904-D
5. Uriel Goldstein Reverie (Träumerei) (Schumann) RAOG 1905
6. Uriel Goldstein The Swan (Saint-Saëns) RAOG 1906
7. Bronislaw Mittmann Romanze (A. d’Ambrosio) Homocord B32 M16493
8. Bronislaw Mittmann Serenade (Toselli) Homocord B32 M16492
9. Leo Strockoff La Chasse Caprice (Cartier-Kreisler) Columbia A155 3414
10. Leo Strockoff Valse Bluette (Drigo) Columbia A154 3414