Description

HEINRICH SCHLUSNUS (BRAUBACH, GERMAN EMPIRE, 6 AUGUST, 1888 – FRANKFURT, WEST GERMANY, 18 JUNE, 1952)

 

 

 

 

His father was a postman but also led a male quartet. He initially worked as a postal employee in Frankfurt am Main, while also receiving his first singing lessons and giving a concert in Frankfurt as early as 1912. When World War I broke out in 1914, he was drafted and suffered a leg injury that August at the front in Belgium. This experience led him to pursue a career as an opera singer, and he made his debut at the Hamburg Opera in 1915 as the Herald in Lohengrin. From 1915 to 1917, he sang at the Stadttheater in Nuremberg. In 1917, he was invited to join the Berlin Court Opera (his first role there being Wolfram in Tannhäuser), where he remained until 1945 as a member of what later became the Berlin State Opera.

During the Verdi Renaissance of the 1920s, he performed in the Berlin premiere of I Vespri Siciliani in 1932 and took on various other Verdi roles, including Rigoletto, Count di Luna in Il Trovatore, Germont in La Traviata, Don Carlos in La forza del destino, and Posa in Don Carlo. Following additional training with Louis Bachner in Berlin, he gave his first recital in 1918 at the Blüthner Hall in Berlin. He soon gained a reputation as one of Germany’s most prominent song interpreters, thrilling audiences worldwide with over 2,000 song recitals.

His international concert and recital tours took him across Holland, Belgium, England, France (in Paris in 1931 and 1937), Austria, Bulgaria (in Sofia in 1925), Italy, North America, and Canada. Despite his extensive recital career, he continued to perform on stage in Berlin and on guest appearances. In 1919, 1932, and 1934, he made guest appearances in Amsterdam; in 1922, in Barcelona; in 1923, at the Vienna State Opera; in 1925, at the Budapest Opera; in 1937, at the Paris Grand Opéra; in 1932, in Stockholm; and in 1922, 1938, and 1948, in Zurich. He also performed on many major German stages. During the 1927-1928 season, he was engaged by the Chicago Opera, and in 1933, he sang Amfortas in Parsifal at the Bayreuth Festival.

After World War II, he continued to perform, including at the Frankfurt Opera, where he sang his last role, Rigoletto, in 1948. In 1951, he made a final appearance as Germont at the Koblenz City Theater. That same year, he gave his last recital after completing another major tour of South America in 1949.

Literature: E. von Naso & Annemarie Schlusnus: Heinrich Schlusnus, Man and Singer (Hamburg, 1957).

 

 

TRACKLIST

 

 

1. Adelaide, pt 1 (Beethoven) (77) 72969 2067as Grammophon, Berlin 1924-09
2. Adelaide, pt 2 (Beethoven) 72969 2068as Grammophon, Berlin 1924-09
3. Ballo in maschera (Verdi) O nur du hast dies Herz mir entwendet (77) 66409 129bm Grammophon, Berlin 1926 (Summer)
4. Caro mio ben (Giordani) (79) 72800 742as Grammophon, Berlin 1922 (Summer)
5. Contes d’Hoffmann (Offenbach) Leuchte, heller Spiegel, mir (78) 66444 791az Grammophon, Berlin 1925-0405
6. Der Rattenfänger (Wolf) (79) 70661 1470ar Grammophon, Berlin 1922 (Summer)
7. Er ist’s (Wolf) (77) 70705 3579ar Grammophon, Berlin 1924-09
8. Fussreise (Wolf) (77) 70705 3578ar Grammophon, Berlin 1924-09
9. Pagliacci (Leoncavallo) Scahut her, ich bin’s! (76.5) 66409 64bm Grammophon, Berlin 1926 (Summer)
10. Tannhäuser (Wagner) Blick’ ich umher (76.5) 66408 65bm Grammophon, Berlin 1926 (Summer)
11. Tannhäuser (Wagner) Wie Todesahnung (76.5) 66408 66bm Grammophon, Berlin 1926 (Summer)
12. Trompeter von Säckingen (Nessler) Das ist im Leben häßlich eingerichtet 66444 212bm Grammophon, Berlin 1926 (Autumn)
13. Xerxes (Händel) Frondi tenere… Ombra mai fu (79) 72801 743as Grammophon, Berlin 1922 (Summer)
14. Zar und Zimmermann (Lortzing) Sonst spielt’ ich mit Zepter (78) 72874 1495as Grammophon, Berlin 1923-11
15. Zauberflöte (Mozart) Bei Männern welche Liebe fühlen (w. Kurz) (77) 72856 1298as Grammophon, Berlin 1923-07