Description

TAURINO PARVIS (TURIN, 15 SEPTEMBER, 1879 – BARCELONA, 9 MAY, 1957)

 

 

 

 

After studying in Milan with Vanni, his debut is believed to have taken place in 1900 at the Teatro Lirico in Rio de Janeiro as Kyoto in Mascagni’s Iris. The following year, in 1901, he sang as Marcello in Puccini’s La Bohème at the Teatro Carignano in Turin, signaling the start of his career in Italy. His early career included engagements at the Teatro Nazionale in Bucharest and the Teatro Vittorio Emanuele in Turin (1902).

From 1904 to 1906, he was a member of the Metropolitan Opera in New York, where he made his debut as Enrico in Donizetti’s Lucia di Lammermoor. Afterward, he returned to Italy, and in 1908, he performed at La Scala in Milan in the premiere of Mancinelli’s Paolo e Francesca. He made further notable appearances at La Scala in 1917, particularly in the premiere of Wolf-Ferrari’s Il Segreto di Susanna, where he sang alongside Ninon Vallin.

In the 1926-27 season, he returned to La Scala for the premiere of Arrigo Pedrollo’s Delitto e Castigo. During the 1920s, he continued to be highly successful, performing at the Teatro dell’Opera in Rome. His appearances there included the premiere of Mascagni’s Il Piccolo Marat in 1922, Primo Riccitelli’s I Compagnacci in 1923, and Zandonai’s I Cavalieri di Ekebu in 1925.

He retired from his singing career in 1929 and settled in Turin, where he became a lawyer. Later, he was active in Spain as a representative of Italian film societies. In his personal life, his second marriage was to the widow of tenor and architect Peppino Rosselini. Through this marriage, he became the stepfather of the renowned director Roberto Rossellini and the composer Renzo Rossellini, and had a daughter from this union.

 

Chronology of some appearances

 

1900 Rio de Janeiro Teatro Lirico Iris (Kyoto)

1901 Turin Teatro Carignano Boheme (Marcello)

1902 Turin Teatro Vittorio Emanuele Manon Lescaut (Lescaut)

1904 New York Metropolitan Opera Cavalleria Rusticana (Alfio)

1908 Milan La Scala Andrea Chenier (Gerard)

1911 Milan La Scala I Figli del Re (Suonatore di Violino)

1917 Milan La Scala Elisir d’amore (Belcore)

1917 Buenos Aires Teatro Colon Tosca (Scarpia)

1927 Milan La Scala Boheme (Marcello)

 

TRACKLIST

 

 

Carmen (Bizet) Se tu m’ami (w. Ciaparelli) 3496 Columbia, New York 1905

Cavalleria Rusticana (Mascagni) Sortita di Alfio 86418 Pathé, Milano 1913

Damnation de Faust (Berlioz) Serenata 10590 A638 Columbia, Milano 1906

Damnation de Faust (Berlioz) Serenata 10590 Columbia, Milano 1906

Don Giovanni (Mozart) Deh vieni all finestra C121 10588 Columbia, Milano 1906

Don Giovanni (Mozart) La ci darem (w. Ciaparelli) A 5026 30030 Columbia, New York 1905

Don Giovanni (Mozart) La ci darem la mano (w. Mantelli) 12573 Zonophone, New York 1906

Don Pasquale (Donizetti) Bella siccome un angelo 10586 Columbia, Milano 1906

Don Sebastiano (Donizetti) O Lisbona 10585 Columbia, Milano 1906

Ernani (Verdi) Da quel dì (w. Ciaparelli) 30032 A5025 Columbia, New York 1905

Ernani (Verdi) Da quel di che t’ho veduta 86373 10114 Pathé, Milano 1913

Ernani (Verdi) O de verd’anni miei 3113 Columbia, New York 1905

Fanciulla del West (Puccini) Minnie, dalla mia casa 10249 Pathé, Milano 1913

Faust (Gounod) Dio possente 10589 A638 Columbia Milano 1906

Faust (Gounod) Dio possente 40085-B Zonophone

Faust (Gounod) Que voulez-vous, messieurs! (w. Jaume & Becucci) Test 3185 June 1914 London, England

Favorita (Donizetti) A tanto amor 12580 Zonophone, New York 1906