RUSSIAN BARITONE GEORGY BAKLANOV (1880-1938) 2 CDR

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GEORGY BAKLANOV (GEORGES BAKLANOFF) (GEORGE BAKKIS) (BARITONE) (1880 RIGA, LATVIA – BASEL, SWITZERLAND 1938)          He was a distinguished baritone with a remarkable international career. After studying with Martin Petz in Kiev in 1900, he continued his vocal training under I. P. Pryanishnikov, who introduced him to Milan and the conductor Vittorio…

Description

GEORGY BAKLANOV (GEORGES BAKLANOFF) (GEORGE BAKKIS) (BARITONE) (1880 RIGA, LATVIA – BASEL, SWITZERLAND 1938)

 

 

 

  

He was a distinguished baritone with a remarkable international career. After studying with Martin Petz in Kiev in 1900, he continued his vocal training under I. P. Pryanishnikov, who introduced him to Milan and the conductor Vittorio Vanza, who further refined his voice.

He made his opera debut in Kiev in 1904 as Amonasro in Aida, and subsequently toured with a private opera troupe in various cities. In 1905, he debuted at Sergei Zimin’s Opera Theatre as Demon in Rubinstein’s Demon.

From 1905 to 1909, he was a prominent member of the Moscow Bolshoi Theatre, appearing in 14 operas. In 1910, he performed at Covent Garden, London, and in 1911, he made a notable impression at Teatro Colón in Buenos Aires and Paris.

His career continued to flourish with significant appearances at the Vienna Staatsoper, Komische Oper in Berlin, and in Monte Carlo, where he performed alongside notable artists such as Enrico Caruso and Salomea Kruszelnicka. He also made impactful appearances in Boston, Chicago, and New York.

From 1917 to 1928, he was a principal member of the Chicago Opera. His career spanned major cities including Milan, Budapest, Leipzig, Philadelphia, Warsaw, and more. Known for his extraordinary voice and dramatic talent, he was often compared to Battistini and excelled in both baritone and bass repertoires.

Baklanov’s contributions to opera included roles in the world premieres of Rachmaninov’s Francesca da Rimini and The Miserly Knight. After his performing career, he lived in Berlin and then Basel until his death.

 

 

TRACKLIST

 

 

  1. Amleto (Thomas) Brindisi 7028M 49452 Columbia, New York 1918
  2. Amleto (Thomas) Nega se puoi la luce with Lydia Lipkovska 054476 736m Gramophone, Wien 1914-01-08
  3. Ballo in maschera (Verdi) Eri tu 03433 1973AVox
  4. Ballo in maschera (Verdi) Eri tu 052425 733m Gramophone, Wien 1914-01-08
  5. Boris Godounov (Moussorgsky) Ich hab’ erreicht das Hochste (Ru) O-7726 xxB8399 Odeon, Berlin 1929-09-26
  6. Boris Godounov (Moussorgsky) Leb’ wohl mein Sohn (Ru) O-7726, xxB8400 Odeon, Berlin 1929-09-26
  7. Boris Godounov (Moussorgsky) Recitativ and aria, pt 1 O-25809 Qu487 Odeon (el)
  8. Boris Godounov (Moussorgsky) Recitativ and aria, pt 2 O-25809 Qu488 Odeon (el)
  9. Burlaki O. 236507 a. Ro 1180 Odeon
  10. Carmen (Bizet) Votre toastA5272 30619 Columbia, New York 1911
  11. Carmen (Bizet) Votre toast 3-22595 2702r G&T, Tiflis
  12. Carmen (Bizet) Votre toast 022343 737m Gramophone, Wien 1914-01-08
  13. Damnation de Faust (Berlioz) Voici des roses 7-32020, DA467 HMV 1919
  14. Demon (Rubinstein) Accursed world3-22589 2695’r G&T, Tiflis
  15. Demon (Rubinstein) Accursed world with Marianna Cherkasskaya 415Н4194 Artistopia
  16. Demon (Rubinstein) Do not weep, child 7-22000, DA465 HMV 1919
  17. Demon (Rubinstein) Don’t cry, child A 5271 30617 Columbia, New York
  18. Demon (Rubinstein) I am he whom you called3-22590 2697’r G&T, Tiflis
  19. Demon (Rubinstein) I am he whom you called 7-22001, DA465 HMV 1919
  20. Demon (Rubinstein) I swear by the first day of creation Columbia A5271 30618
  21. Demon (Rubinstein) Oath of the demon3-22596 2703r G&T, Tiflis
  22. Demon (Rubinstein) Thou wilt be the world’s queen Columbia A5271 30617
  23. Don Giovanni (Mozart) Deh! vieni alla finestra 7-52136, DA464, HMV 1919
  24. Eugen Onegin (Tchaikovsky) Alas! there is no doubt 7-22002, DA464, HMV 1919
  25. Eugen Onegin (Tchaikovsky) Alas, there is no doubt O-25814, Ro1184 Odeon (el)
  26. Eugen Onegin (Tchaikovsky) Written words O-25814, Ro1183 Odeon (el)
  27. Eugen Onegin (Tchaikovsky) Written words… Should I decide 022339 730m Gramophone, Wien 1914-01-08
  28. Faust (Gounod) Le veau d’or 7-32017, DA466 HMV 1919
  29. Faust (Gounod) Vous qui faites l’endormie 7-32018, DA466 HMV 1919
  30. Gioconda (Ponchielli) BarcarollaA5272 30620 Columbia, New York 1911
  31. Gioconda (Ponchielli) Pescator affonda l’esca A5272 30620 Columbia, New York 1911
  32. Gioconda (Ponchielli) Pescator, affonda l’esca 77911 Columbia, New York 1918
  33. Lakme (Deibes) Lakme, ton doux regard 416Н4198 Artistopia
  34. Lakme (Delibes) Lakme, ton doux regard se voile 022342 735m Gramophone, Wien 1914-01-08
  35. Nero (Rubinstein) Epithalamium3-22593 2700r G&T, Tiflis
  36. Otello (Verdi) Credo 03434 1976A Vox
  37. Otello (Verdi) Era la notte 03434 1980AVox
  38. Otello (Verdi) Jago’s tale A5270 30622 Columbia, New York 1911
  39. Otello (Verdi) MonologA5270 30621 Columbia, New York 1911
  40. Pagliacci (Leoncavallo) Prologo 052424 732m Gramophone, Wien 1914-01-08
  41. Pagliacci (Leoncavallo) So Puo 03433 1975A Vox
  42. Prince Igor (Borodin) O give, give me freedom 3-22594 2701r G&T, Tiflis
  43. Prince Igor (Borodin) Umsonst nach Ruhe sucht das trube schwere Herz’ … Und in unruhvollen Sinne 59026 59026 2-79512 2-79513 Odeon (el)
  44. Rigoletto (Verdi)Aria  03432 1979A Vox
  45. Rigoletto (Verdi) Figlia! Mio padre! (w. Lipkovska) A5296 30623 Columbia, New York 1911
  46. Rigoletto (Verdi) Monolog03432 1974A Vox
  47. Song of Triumphant Love O pure creature3-22591 2698r G&T, Tiflis
  48. W Wiezieniu O. 236507 b. Ro 1182 Odeon

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