RUSSIAN TENOR PYOTR SLOVTSOV (1886-1934) VOL. 2 CDR

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PYOTR SLOVTSOV (VILLAGE USTYANSKOE, KANSKY DISTRICT, PROVINCE ENISEYSK, 30 JUNE/ 12 JULE, 1886 – KRASNOYARSK, 24 FEBRUARY, 1934)         He studied at the Moscow Conservatory under the guidance of Ivan Gord from 1909 to 1912. He began his career performing on the opera stages of Odessa (1910-1912), Kiev (1912-1914), and Saratov (1914).…

Description

PYOTR SLOVTSOV (VILLAGE USTYANSKOE, KANSKY DISTRICT, PROVINCE ENISEYSK, 30 JUNE/ 12 JULE, 1886 – KRASNOYARSK, 24 FEBRUARY, 1934)

 

 

 

 

He studied at the Moscow Conservatory under the guidance of Ivan Gord from 1909 to 1912. He began his career performing on the opera stages of Odessa (1910-1912), Kiev (1912-1914), and Saratov (1914). During the revolutionary period, he continued his career in Petrograd, performing at the National House from 1915 to 1918. His journey as a performer extended to various cities across Russia, including Nizhny Novgorod (1917), Tomsk, Ekaterinburg (1918-1919), and Irkutsk (1919-1920).

He became closely associated with the Bolshoi Theatre in Moscow, where he performed in 1929 and 1932, as well as in Sverdlovsk in 1930 and in Leningrad throughout the 1920s and 1930s. From 1928 to 1930, he resided in Krasnoyarsk, where he and his wife, opera singer M. Rioli, founded the “Labouring Opera Collective” (1923-1925). This troupe attracted many renowned opera singers, such as V. Kastorsky, L. Balanovskaya, G. Pirogov, and L. Andreeva-Delmas. In addition to singing, he took on the roles of stage manager and producer, overseeing productions of operas like Faust, Aida, Dubrovsky, and Traviata.

From 1928 to 1934, he served as a professor at the Russian University of Theatre Arts, imparting his extensive knowledge to the next generation of opera talent. His voice was celebrated for its strong, lyrical quality, rare beauty, warm and soft timbre, excellent breath control, wide range, and impeccable vocal technique, earning him the nickname “Siberian Nightingale.”

 

Chronology of some appearances

 

1910-1912 Odessa Opera House

1912-1914 Kiev Opera House

1914 Saratov Opera House

1915-1918 Petrograd National House

1929 Moscow Bolshoi Theatre

1932 Moscow Bolshoi Theatre

 

TRACKLIST

 

 

Manon (Massenet) Le rêve 311 Artistopia, Kiev 1913

Nero (Rubinstein) Stances – Oh sadness and longing 302 Artistopia, Kiev 1913

Nero (Rubinstein) Stances – Oh sadness and longing Russian Peoples 2631 Gramophone, Moscow

O God, how beautiful is this cool night (Amani) 222339 5022ae Gramophone, St. Petersburg 1913

Ole from Nordland Song of The fisherman (Ippolitov-Ivanov) 702 15409 Mus Trust, Moscow 25-02-1930

Pescatori di perle (Bizet) Mi par d’udire ancora 310 Artistopia, Kiev 1914/1915

Pescatori di perle (Bizet) Mi par d’udire ancora 0569 1929 Mus Trust, Moscow 1929/1930

Pine (Tree) (Bukke) 22352 Pathé, St. Petersburg 1912

Rigoletto (Verdi) Questa o quella 701 Mus Trust, Moscow 1929/1930

Rusalka (Dargomyzhsky) Unwillingly to these sad shores 0568 0568 Mus Trust, Moscow 1929

Serenade (Schubert) 22349 88259 Pathé, St Petersburg 1912

Snegurochka (Rimsky-Korsakov) Bernedey’s cavantine 700 700 Mus Trust, Moscow 1930

Snegurochka (Rimsky-Korsakov) Bernedey’s cavantine 0222012 2872c Gramophone, St. Petersburg 1913

Sweetly sang the nightingale (Gliere) 222233 4986ae Gramophone, St. Petersburg 1913

Thunderbolt (Verstovsky) Song about pike 698 698 Mus Trust, Moscow 02-1930

Traviata (Verdi) Parigi, o cara (w. Kurenko) 602 Artistopia, Kiev 1914/1915

Travushka (Varlamov) 563 563 Mus Trust, Moscow 12-1929

Werther (Massenet) Ah! non mi ridestar 303 Artistopia, Kiev 1913

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