Description

ANTONIO CORTIS (ALTEA, SPAIN, 12 AUGUST, 1891- VALENCIA, SPAIN, 2 APRIL, 1952)

 

 

 

 

Cortis was born at sea but his birthplace is often given as Valencia, in which city he spent his infancy. (His name was originally Antonio Monton Corts but he changed it for theatrical purposes.) He studied music at the Royal Conservatory in Madrid and sang in a children’s choir. In 1909, he and his widowed mother moved from Madrid to Barcelona, where he attended the local conservatory. He made his stage debut in 1912 at the Liceo in Barcelona as a comprimario singer, but he gradually worked his way up to major roles at a variety of opera houses in Spainand South America, including the Teatro Colón in Buenos Aires. On the South American tour of 1917, the young tenor was befriended by the Metropolitan Opera star Enrico Caruso, who encouraged him to pursue his singing career in New York City. Cortis declined Caruso’s offer of help due to personal reasons but he would henceforth model his singing technique on Caruso’s great example. His international career began in earnest with successful appearances in Naples and, more importantly, at Rome’s Teatro Costanzi in 1920, where he signed a three-year contract. He proceeded to sing in Stockholm, Milan, Latin America and Berlin and, most famously, with the esteemed company at the Chicago Civic Opera from 1924 to 1932. His debut at the Royal Opera House, Covent Garden, occurred in 1931, as Calaf in Puccini’s Turandot. He appeared often on the Italian opera-house circuit during the early 1930s but success at Milan’s La Scala, with its entrenched roster of popular Italian-born tenors, eluded him. Cortis came to be regarded as one of the best inter-war interpreters of verismo opera. He was particularly praised for his performances of Calaf and of Dick Johnson in Puccini’s La fanciulla del West, while he sang with remarkable ease the strenuous music composed for the tenor voice by Umberto Giordano and Pietro Mascagni. Cortis also undertook Verdi roles, such as the Duke in Rigoletto, which he delivered with impressive skill and style. He chose to spend the final phase of his career in Spain as the Great Depression deeply affected the economies of America and other parts of the world. Although his voice was still in good condition, he withdrew from the operatic stage in the mid-1930s. His decision to retire was influenced by the onset of the Spanish Civil War. He composed some vocal works during this period and founded a school for singers in Valencia in 1940. After World War II, he came out of retirement to appear occasionally in Spanish operas and other works. His health deteriorated in the early 1950s and he died at the age of 60 in Valencia.

 

Chronology of some appearances

 

1920 Rome Teatro Costanzi Canio (Pagliacci)

1924-1932 Chicago Civic Opera House

1927 Chicago Civic Opera House Loreley (Walter)

1931 London Covent Garden Turandot (Calaf)

 

TRACKLIST

 

 

Calabazas (Cortis) DA920 BVE37870 Victor, Camden NJ 1927-03-25

Carmen (Bizet) Il fior DB1363 CM1108 HMV, Milano 1929-09-20

Carmen (Bizet) La tua madre (w. Rosza) DB1749 CF3446 HMV, Milano 1930-09

Cavalleria Rusticana (Mascagni) O Lola (Siciliana) DA1277 BM1115 HMV, Milano 1929-09-23

Cena delle Beffe (Giordano) Ah, che tormento DA919 BVE37873 Victor, Camden NJ 1927-03-28

Cena delle Beffe (Giordano) Mi svesti DA919 BVE37869 Victor, Camden NJ 1927-03-28

Doña Francisquita (Vives) Mujer fatal DB901 CVE33400 Victor, Camden NJ 1925-09-03

El Dictador (Millán Picazo) Canción de la carta DB901 CVE33401 Victor, Camden NJ 1925-09-03

El Dormiró Azul (Arrieta) Jota 2-62226 s20123u Gramophone, Barcelona 1918-09

El Tropezón (Mojica-Cortis) DA920 BVE37871 Victor, Camden NJ 1927-03-25

El Trust de los Tenorios (Serrano) Te quiero 2-62223, s20121u Gramophone, Barcelona 1918-09

Fanciulla del West (Puccini) Or son sei mesi P1579 2-6469 Parlophon, Berlin 1923-10-05

Faust (Gounod) Salve dimora DB1468 CF3473 HMV, Milano 1930-09-2628

Favorita (Donizetti) Una vergine DA757 BVE33406 Victor, Camden NJ 1927-09-08

Favorita (Donizetti) Una vergine P1616 2-6472 Parlophon, Berlin 1923-10-05