AMERICAN VIOLINIST TOSHA SAMAROFF (1906-2005) VOL. 2 CDR

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TOSHA SAMAROFF (AKA ZAMA DWORMAN; NÉ SALMON DWORMAN) (RUSSIA, ODESSA? 11 OCTOBER, 1906 – NORFOLK, CITY OF NORFOLK, VIRGINIA, USA, 10 FEBRUARY, 2005)       Tosha Samaroff was a versatile and highly skilled violinist active primarily as a studio and ensemble musician in New York during the mid-20th century. Though he was not widely known…

Description

TOSHA SAMAROFF (AKA ZAMA DWORMAN; NÉ SALMON DWORMAN) (RUSSIA, ODESSA? 11 OCTOBER, 1906 – NORFOLK, CITY OF NORFOLK, VIRGINIA, USA, 10 FEBRUARY, 2005)

 

 

 

Tosha Samaroff was a versatile and highly skilled violinist active primarily as a studio and ensemble musician in New York during the mid-20th century. Though he was not widely known as a solo performer, his work underpinned countless recordings in jazz, pop, and orchestral music, placing him at the center of the city’s vibrant recording scene.

Career Overview

Samaroff’s career was largely defined by his role as a professional studio musician, often “locked into” particular bands or recording ensembles. He occasionally performed with dedicated bands, but the bulk of his work was in orchestral and studio sessions, providing the precision and expressiveness that arrangers and bandleaders required.

Collaborations and Recordings

Tosha Samaroff performed with or contributed to recordings under a remarkable array of bandleaders, arrangers, and orchestras, including:

Ralph Burns’ Orchestra with Ben Webster

Mitch Miller

Richard Hayman

Henri René

Coleman Hawkins

Phil Woods

Lehman Engel

Hal Mooney

In addition, he played violin on sessions for many celebrated artists, demonstrating his versatility across jazz, pop, and orchestral contexts:

Frank Sinatra

Roberta Flack

Johnny Mathis

Victor Borge

Sarah Vaughan

Harry Belafonte

He also appears in studio orchestras for numerous recordings from the 1950s through the 1970s, including jazz albums, classical crossover sessions, and pop hits — often listed in violin sections backing the featured performers.

Role and Legacy

Samaroff’s career highlights the essential work of studio musicians who remain largely behind the scenes. His technical mastery, adaptability, and reliability made him a sought-after player in New York’s recording studios. While he did not achieve fame as a soloist, his artistry contributed to some of the most memorable recordings of his era, making him a key figure in the mid-20th-century musical landscape.

 

TRACKLIST

 

  1. Liebesfreud (Kreisler)
  2. Maiden with the Flaxen Hair (Debussy)
  3. Minuet (Boccherini)
  4. Poeme (Fibich)
  5. Poupée Valsante (Poldini)
  6. Schön Rosmarin (Kreisler)
  7. Serenade (Pierne)
  8. Speak to Me of Love (Parlez moi d’Amour) (Lenoir)
  9. Stimmung (Achron)
  10. The Jealous Ballerina (Shilkret)
  11. The Swan (Le Cygne) (Saint-Saëns)
  12. Traditional Londonderry Air
  13. Valse Sentimentale (Schubert) (Abridged due to distortion on record)

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