Description

ARTHUR FRIEDHEIM (SAINT PETERSBURG, RUSSIA 26 OCTOBER 1859  –  NEW YORK CITY 19 OCTOBER 1932)

 

 

 

 

He began serious study of music at age eight. He later studied for a year with noted pianist Anton Rubinstein but disapproved of Rubinstein’s disorganized teaching methods and went instead to Liszt. At first Liszt did not like Friedheim’s playing, though he admitted the individuality of Friedheim’s style. Harold C. Schonberg asserts in his book The Great Pianists that another reason Liszt may have been hesitant was that Friedheim had studied with Rubinstein, of whom Liszt may not have been terribly fond. Friedheim had to play before Liszt several times before becoming accepted as a pupil in 1880. Liszt eventually became fond enough of Friedheim to make him his secretary. Friedheim became fond enough of Liszt to copy many of his mannerisms, many of which were noted by pianist and composer Ferruccio Busoni after hearing him play in 1883. Friedheim also gained orchestral experience conducting in theaters and opera houses in Germany. Ferruccio Busoni, hearing Friedheim play in Vienna in 1883, was not impressed: “There is a pianist here … with long hair and a face that looks half severe, half bored. When he plays he comes forward and bows in such a way that his hair covers all his face; then he throws his head back to tidy his mane. Then he sits down with a great deal of fuss, and looks round waiting till the audience is quiet….But the loveliest thing of all is to see him during the tuttis of the orchestra. There he has room to show off all his tricks. He examines his nails, considers the audience, thrusts his hands into the air, and does other silly things.”

Between 1891 and 1895 Friedheim taught and played in the United States. After that he spent some time in London and until 1904 taught at the Manchester College of Music. He conducted in Munich from 1908 to 1911, settled in the United States in 1915 before going to Toronto, Ontario, Canada, in 1921 to become a professor at the Canadian Academy of Music. Before then, he was offered the conductorship of the New York Philharmonic in 1898 and 1911. He was a good conductor but turned down the offer both times, preferring to concentrate on the piano. He died in New York City in 1932.

 

TRACKLIST

 

 

5701 DUO-ART ROSENTHAL – Papillons (Butterflies)

5705 DUO-ART HENSELT – Etude, Op. 2, No. 6 Si oiseau j’étais (Were I a Bird)

5724 DUO-ART LISZT – Les jeux d’eaux à la Villa d’Este (Années de Pèlerinage – 2nd Yr.)

5745 DUO-ART GOTTSCHALK – The Banjo (Fantaisie Grotesque) Op. 15

5784 DUO-ART CHOPIN – Preludes, Op. 28, Nos. 8, f#; 3, G

5816 DUO-ART LISZT- Hungarian Rhapsody No. 9, Eb “Carnaval de Pesth”

5861 DUO-ART LISZT – Transcendental Etude – No. 11, Db Harmonies du soir

5898 DUO-ART LISZT – Hungarian Rhapsody No. 10, E

6151 DUO-ART LISZT – Hungarian Rhapsody No. 2, c#

6197 DUO-ART LISZT – “Paganini” – Etude No. 3, g# La Campanella

6207 DUO-ART LISZT – Légende No. 2 St. Francis of Paul Walking on the Water

6763 DUO-ART LISZT – Au lac de Wallenstadt (Années de Pèlerinage – 1st Yr. – Suisse)

A-77 DUO-ART LISZT – Légende No. l St. Francis of Assisi Preaching to the Birds