Description

CARL FLESCH (MOSON, HUNGARY, 9 OCTOBER, 1873 – LUCERNE, SWITZERLAND, 14 NOVEMBER, 1944)

 

 

 

 

His real name was Flesch Károly. He was born in Moson (now part of Mosonmagyaróvár) in Hungary in 1873. He began playing the violin at seven years of age. At 10 he was taken to Vienna to study with Jakob Grün. At 17 he left for Paris, and joined the Paris Conservatoire. He settled in Berlin, and in 1934 in London. He was known for his solo performances in a very wide range of repertoire (from Baroque music to contemporary), gaining fame as a chamber music performer. He also taught in Bucharest (1897-1902), Amsterdam (1903-08), Philadelphia (1924-28) and Berlin (Hochschule fuer Musik, 1929-34). He published a number of instructional books, including Die Kunst des Violin-Spiels (The Art of Violin Playing, 1923) in which he advocated for the violinist as artist rather than merely virtuoso. Among his pupils were Charles Barkel, Edwin Bélanger, Bronislaw Gimpel, Ivry Gitlis, Szymon Goldberg, Ida Haendel, Josef Hassid, Adolf Leschinski, Alma Moodie, Ginette Neveu, Yfrah Neaman, Ricardo Odnoposoff, Eric Rosenblith, Max Rostal, Henryk Szeryng, Henri Temianka, Roman Totenberg and Josef Wolfsthal, all of whom achieved considerable fame as both performers and pedagogues. He said his favorite pupil was the Australian Alma Moodie, who achieved great fame in the 1920s and 1930s but made no recordings and is little known today. One of Flesch’s few recordings is a highly distinguished interpretation of Bach’s great D minor Double Violin Concerto (Columbia) in which he played second violin to the great Joseph Szigeti, with Walter Goehr conducting an anonymous London string orchestra in the late 1930s. He was consulted (as was Oskar Adler) by Louis Krasner over technical difficulties in the Violin Concerto of Alban Berg, which Krasner was to premiere. Carl Flesch’s Scale System is a staple of violin pedagogy. He owned the Brancaccio Stradivarius, but had to sell it in 1928 after losing all his money on the New York Stock Exchange. Flesch lived in London during the 1930s, and was later arrested by the Gestapo in the Netherlands, was released, and died in Lucerne, Switzerland, in November 1944.

 

 

TRACKLIST

 

 

Concerto in D Minor (For Two Violins and Orchestra) – First Movement Vivace with Joseph Szigeti (violin) Columbia 69109-D CAX8060-1

Concerto in D Minor (For Two Violins and Orchestra) – Second Movement Largo ma non tanto (Completion) (Bach) with Joseph Szigeti (violin) Columbia 69110-D C

Concerto in D Minor (For Two Violins and Orchestra) – Second Movement Largo ma non tanto (First Part) (Bach) with Joseph Szigeti (violin) Columbia 69109-D C

Concerto in D Minor (For Two Violins and Orchestra) – Third Movement Allegro with Joseph Szigeti (violin) Columbia 69110-D CAX8063-1

Aria from Pur Dicesti (Lotti-Flesch) Raymond Bauman (Piano) Edison 80893-R 1928

Aria in F minor Begl’ occhi, merce!” (Tenaglia-Ries) Odeon Rx67791

Aus der Heimat Bohemian fantasie (Smetana) Kurt Ruhrseitz (piano) Edison 80865 10821

Ave Maria (Schubert-Wilhelmj) Harry Kaufman (piano) Edison 82063 2946

Berceuse D major, Op. 16 (Fauré) Ignace Strasfogel (piano) Polydor 68059

Caprices Op. 1 No 20 in B flat (Paganini) Ignace Strasfogel (Piano) Electrola EJ438

Cavatina (Bohm) Kurt Ruhrseitz (piano) Edison 82348 10865

Dettingen Te Deum in D major, HWV 283 Verlich uns, Herr, zu schirmen…”, Ignace Strasfogel (Piano) Electrola EW67

El paño moruno (de Falla-Kochański) Raymond Bauman (piano) Edison 80894 18326

Elégie for Violin in C minor, Op. 10 Sur la mort d’un objet cheri” (Ernst) Kurt Ruhrseitz (Piano) Edison 82348

Etude pour le violon formant 36, Caprices, Op. 3 No 28 in D major (Fiorillo-Randegger) Waldemar Liachowsky (Piano) Edison 82313

Frasquita Serenade (Lehár-Kreisler) Raymond Bauman (piano) Edison 80902 18330

Gypsy dance Test Edison 2944-B

Jota (de Falla) Ignace Strasfogel (Piano) Victor H L-56-B

Larghetto (Weber-Kreisler) Waldemar Liachowsky (piano) Edison 82311 9351