Description
SOPHIE CARMEN ECKHARDT-GRAMATTÉ (MOSCOW, RUSSIA, 6 JANUARY 1899 [O.S. 25 DECEMBER 1898] – STUTTGART, GERMANY, 2 DECEMBER 1974)
Born in Moscow in 1899, Sophie Carmen Eckhardt-Gramatté (1899-1974) trained on both piano and violin, a rare combination for a composer. She initially studied at the Paris Conservatory, and later continued her music education in Berlin. Eckhardt-Gramatté was a well-travelled performer, often performing her compositions for both violin and piano. In 1920, she married painter Walter Gramatté and spent two years living in Spain, where she studied under Pablo Casals. It was during this period that Eckhardt-Gramatté wrote her first piano concerto.
Following the death of her husband Walter Gramatté, she embarked on a tour in the United States, performing to critical acclaim with Leopold Stokowski in Philadelphia and Frederick Stock in Chicago. In 1934, she married Austrian art historian Ferdinand Eckhardt and later pursued further lessons in composition with Max Trapp at the Berlin Academy of Arts. Her compositional style underwent a gradual transformation, influenced by the conservative aesthetic of her instructor, Max Trapp, and further informed by her relocation from Berlin to Vienna in 1939. This shift marked a pivotal point in her artistic development.
Eckhardt-Gramatté was, in many ways, a composer’s composer—resolutely independent in voice and uninterested in following the prevailing compositional fashions of her time. Her are marked by their expressive power, rhythmic vitality, and technical demands—often composed with her abilities in mind. Drawing from a broad palette of influences.
Eckhardt-Gramatté created a dense, aggressive style that was much closer to, and dependent on, late romanticism than on twentieth-century techniques. Her use of dissonance was a logical development from post-Wagnerianism, although it never reached the emotional atonality of the Viennese masters (Schoenberg, Berg, and Webern). Nevertheless, one detects some characteristics, especially in the style of her early works, that “show(s) a lively mind in grips with modern tendencies and using high technical accomplishments in exploiting the resources of a new and musicianly polyphony.” — Grove Dictionary of Music and Musicians, 1954.
Since her passing in 1974, Eckhardt-Gramatté’s work has slowly garnered the attention it demands—not just as historical curiosity, but as repertoire worthy of serious study and performance. The Eckhardt-Gramatté National Music Competition, established in 1976, continues to champion new music and emerging performers, many of whom find in her work a model of uncompromising originality.
She received an honourary doctorate in music from the University of Brandon and the title of professor from the Minister of Education, Vienna, Austria.
Eckhardt-Gramatté was the first Canadian composer to receive the Diplôme d’Honneur
In addition to writing music, she developed a piano teaching method, the ‘E-Gré Piano Technique’, whose basis is the use of rotary movement.
TRACKLIST
Sophie-Carmen Eckhardt-Gramatté – The Complete Recordings
Label: Masters of the Bow – MB 1031
Format: Vinyl, LP
Country: Canada
Released: 1980
Genre: Classical
Style: Modern, Baroque
Concerto In A Minor (1925, Barcelona)
Composed By – Sophie-Carmen Eckhardt-Gramatté
A1 Allegro Ma Non Troppo
A2 Molto Sostenuto E Espressivo
B1 Allegro E Revolutio, Giocoso
B2 Piu Lento
B3 Partita No. 2, In D: Chaconne BWV 1004
Composed By – Johann Sebastian Bach
15:20
Violin – Sophie-Carmen Eckhardt-Gramatté
Originally recorded 1934-1935, recordings released Odeon 1936.
S.C. Eckhardt-Gramatté – E. Gré Plays E. Gré – A Documentary Of The Composer, Violinist & Pianist – S.C. Eckhardt-Gramatté Performing Her Own Compositions – Record III
Label: Discopaedia – WRC1-1598
Format: Vinyl, LP, Mono
Country: Canada
Genre: Classical
Style: Modern
Violin Caprice No. 1 “Die Kranke Und Die Uhr” (1924) (E. 47)
Violin Caprice No. 4 “La isla de oro” (1927) (E. 63)
Violin Caprice No. 5 “Danse marocaine” (1927) (E. 64)
Violin Caprice No. 6 “El parjarito” (1927) (E. 67)
Violin Caprice No. 7 “Le départ d’un train” (1928) (E. 69)
Violin Caprice No. 9 “Chestnut Hill at Night” (1929) (E. 81)
Violin Caprice No. 10 “Klage” (1934) (E. 90)
Violin Suite III (1924) (E. 50) “Mallorca Suite”
Andante (Ariette) (2nd Movement)
Giocoso E Aroso (Badinage) (3rd Movement)
Duo No. 1 For 2 Violins (1944) (E. 108)
Violin – Carl Johannis
Mässig Schnell (1st Movement)
Ruhig (2nd Movement)
Lebhaft (Gigue) (3rd Movement)
Made By – World Records
Lacquer Cut At – The Lacquer Channel Limited
Pressed By – Quality Records Limited
Composed By – Sophie-Carmen Eckhardt-Gramatté
Liner Notes – Ferdinand Eckhardt
Violin – Sophie-Carmen Eckhardt-Gramatté
S.C. Eckhardt-Gramatté – E. Gré Plays E. Gré – A Documentary Of The Composer, Violinist & Pianist – S.C. Eckhardt-Gramatté Performing Her Own Compositions – Record II
Label: Discopaedia – WRC1-1597
Format: Vinyl, LP, Mono
Country: Canada
Genre: Classical
1.Piano Sonata V (1950) (E. 126)
Moderato (Maessig, Jedoch Lustiges Tempo; Grotesk, Rhythmisch – Gay, Grotesque & Rhythmical) (1st Movement); Frei Phantasierend (2nd Movement – Both Movements Played Without Break)
Vivo Ma Non Troppo (3rd Movement)
Piano Sonata VI (1928/52) (E. 130)
Prestissimo E Molto Preciso (Mode Ancien) (1st Movement – For Left Hand Only)
Moderato (Mode Moderne) (2nd Movement – For Right Hand Only)
Vivo Assai E Marcato (Mode Néoclassique) (3rd Movement – For Both Hands)
Piano Caprice No. 2 (1937) (E. 96) “Gute Ruh”, Lento, Molto Espressivo
Piano Caprice No. 3 (1932) (E. 87) “Aufschrei”, Moderato, Con Molta Espressione
Piano Caprice No. 4 (1937) (E. 97) “Wohin”, Frei Und Gelassen
Piano Caprice No. 5 (1937) (E. 98) “Meeresmuschelperlchen”, Fantasievoll, Mit Viel Relief Im Ausruck
Composed By – Sophie-Carmen Eckhardt-Gramatté
Piano – Sophie-Carmen Eckhardt-Gramatté
S.C. Eckhardt-Gramatté – E. Gré Plays E. Gré – A Documentary Of The Composer, Violinist & Pianist – S.C. Eckhardt-Gramatté Performing Her Own Compositions – Record I
Label: Discopaedia – WRC1-1596
Format: Vinyl, LP, Mono
Country: Canada
Genre: Classical
Piano Concerto No. 1, In A Minor For Piano And Orchestra (1926) (E. 60)
Conductor – Dr. Ernst Kunwald
Orchestra – Berlin Symphonics
A1 Maestoso (1st Movement)
A2 Andante (2nd Movement)
A3 Vivo Ma Non Troppo (§rd Movement)
Piano Sonata II (1924) (E. 46) “Biscaya Suite”
B1 Movement 1 (First Few Bars. Recorded On A Small Cassette Unit In Winnipeg In 1969)
B2 Movement 2 (First Few Bars. Recorded On A Small Cassette Unit In Winnipeg In 1969)
B3 Andante (After The Storm) (3rd Movement)
B4 Allegro Con Brio (4th Movement)
Piano Sonata III (1924) (E. 52)
B5 Lento (1st Movement)
B6 Vive E Marcato (Ländlicher Tanz) (2nd Movement)
B7 Largo Sostenuto (3rd Movement)
B8 Spanischer Tanz (4th Movement)
Composed By – Sophie-Carmen Eckhardt-Gramatté
Piano – Sophie-Carmen Eckhardt-Gramatté
S.C. Eckhardt-Gramatté – E. Gré Plays E. Gré – A Documentary Of The Composer, Violinist & Pianist – S.C. Eckhardt-Gramatté Performing Her Own Compositions – Record IV
Label: Discopaedia – WRC1-1599
Format: Vinyl, LP, Mono
Country: Canada
Genre: Classical
Duo Concertante For Flute & Violin (1956) (E. 138)
Flute – Dirk Keetbaas
A1 Allegro Assai E Risoluto (1st Movement)
A2 Quasi Largo, Molto Calmo (2nd Movement)
A3 Deciso E Molto Preciso (3rd Movement)
A4 “Merkantes Stück” For Two Pianos And Orchestra (1948) (E. 121) – Vivo Assai
Conductor – Wilhelm Schüchter
Orchestra – Vienna Symphony Orchestra
Piano – Hans Weber (4)
“Ruck-Ruck” Sonata For Clarinet And Piano (1947) (E. 113)
Clarinet – Friedrich Wildgans
B1 Lebhaft (1st Movement)
B2 Molto Andante, Quasi Lento (2nd Movement)
B3 Lustig – Mädle Ruck, Ruck, Ruck…! (3rd Movement)
B4 Berceuse For Flute And Piano (1925) (E. 55)
Flute – Unknown Artist
B5 Presto I For Flute And Piano (1923/34) (E. 89)
Flute – Unknown Artist
B6 Presto II For Flute And Piano (1951) (E. 129)
Flute – Franz Opalesky
Composed By – Sophie-Carmen Eckhardt-Gramatté
Piano – Sophie-Carmen Eckhardt-Gramatté
Violin – Sophie-Carmen Eckhardt-Gramatté






Reviews
There are no reviews yet.